The Vagina Gonzalogues

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July 2011

8 posts

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Jul 12, 20111 note
NO FUN GABY DUNN: #35. LOREN COLEMAN - "A cryptozoology expert." → gabydunn.com

100interviews:

“It has a head like a deer, stands upright like a man and hops like a frog,” reads an account of an unknown creature by 1700s explorers. “It sometimes sports two heads –- one on the shoulders, and one on the stomach.” Picturing such an animal brings up some pretty…

This is great. You should read this!

Jul 12, 201184 notes
Jul 6, 20115 notes

June 2011

13 posts

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Jun 29, 201150 notes
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Jun 24, 2011
Look ma! A lion!

animalsbeingdicks:

Thank goodness Derrick learned his mutant power was a forcefield. It gave him license be far more careless around giant predators. 

I just spent a decent amount of time looking up videos of lions trying to eats kids at zoos. I started feeling really bad for the lions.

Jun 22, 2011315 notes
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Jun 21, 20111 note
Jun 17, 20111 note
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Jun 17, 20111 note
“I don’t think it is a rewarding job,” Ben replies. “If you want something rewarding, do something else. Not everything you do is looked at positively and the only people who compliment you are the other cops. If you’re needy and you need a pat on the back, this is not the job for you, because at best, half the people like you. Maybe less.” —My friend Gaby’s interview with a New York City cop is amazing.
Jun 15, 20111 note
Jun 10, 2011
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Jun 10, 20111 note
Jun 10, 2011395 notes
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Jun 6, 2011
“I loved performing but felt like I had no chance at all of actually “making it” in comedy. I think the only way you can fight this doubt is to just focus on being on stage and making sure you are having fun. If that is your only focus it seems like a path starts to appear. Once this started happening the pursuit became easier to accept. Now my toughest task is forcing myself to really work at this career. Its definitely a job that requires a lot of attention.” —

Rory Scovel in The Humourdor.

I really like this quote. I feel like I’ve read a lot of things pushing new comics to focus on YouTube, Twitter, promoting and marketing. Personally, I think the most important thing is to learn and to have fun.

Once you start getting a bit of attention, then maybe it’s not a bad idea to really pursue that stuff. But it’s weird managing a career before you even have a career to speak of. It’s weird trying to build a fanbase before you’ve built a skill.

Jun 2, 20114 notes
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Jun 1, 20111 note

May 2011

16 posts

May 31, 2011133 notes
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May 31, 20115 notes
May 26, 2011418 notes
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May 26, 2011144 notes
May 25, 2011126 notes
#42. YANNIS PAPPAS - "Someone who has been shot.",

100interviews:

Photo by: Mindy Tucker

Yannis Pappas walked out of a nightclub called NV on the Lower East Side.

He followed his friend, a dodgy club promoter known for carrying thousands of dollars in cash, back to his car to head home after the club’s hip-hop night. NV, before it was shut down in 2005, was known for being “thuggy” and full of ex-cons and drugs. Yannis describes it as “a real bad scene.”

He had just opened the car door when he saw him; a man in a black mask and gloves appearing seemingly from nowhere behind a darkened vestibule. He approached quickly. He’d clearly been waiting for them.

Yannis leaped into the car and tried to close the door on his side to protect himself but the assailant was too close; the man fell half-way into the car and his hand got stuck in the door.

That’s when Yannis saw the gun.

Read More

Do you guy’s know Yannis Pappas? He’s very funny and my friend and Mish Mosh co-host interviewed him.

May 24, 201134 notes
“

You refine language. You’ve got to put things in a perfect way. You have to be economical, and yet you have to let shit string out. You have to know how to load a spring of tension and release it.

Me and Chris try to study a lot of different kinds of people, not just comedians. We both love Bill Clinton — Clinton is America’s headliner. One of the greatest things I ever saw was him at Coretta Scott King’s funeral. Jimmy Carter, George Bush Senior, Hillary — all these people making speeches, and then Bill Clinton goes on and he says, “Let’s all remember that that is a woman lying right there.” And he points at her.

It was audacious. “That is a woman who had her dreams and her pain and her passions,” and I think he said “lust.” He said really personal shit about her and you immediately heard the black people go, “Yes!”

He says, “There’s her family — think about what they’re going through today, and everything that’s happened to them since their daddy got shot. The burden that must have been hers.”

Holy shit. I hope to have any of that skill as a comic. He just found this short circuit. You try to have this nature the way water does — finds the lowest place and spreads the fuck out. That’s what he did.

”
—

-Louis CK in Esquire.

This is a really great quote. I think there’s quite a bit in it I don’t totally understand, but in a good way.

May 23, 20113 notes
May 23, 201125 notes
May 20, 201122 notes
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May 20, 20113 notes
May 11, 20119 notes
Black Book Magazine → blackbookmag.com

Jessica Pilot spent nine months hanging out at the Comedy Cellar. This is a really interesting piece which you should read. The one thing that’s confusing about it is the fact that she states several times that she wants to be doing comedy, except instead of making the trek to a decent open mic, she tried out her material on one of the club managers…

On a Wednesday night during the brief interval between the 9 and 11pm shows, I sat down with one of the club’s managers, Steve Fabricant, to test out some of my material…

I don’t exactly remember the first joke I told. All I recall is monologuing—okay, blathering—about the acid-induced time I lost my virginity and something to do with my Catholic grandmother calling me mid-coitus. Fabricant interrupted me before I could even deliver the punch line: “Who the fuck do you think you are? Sarah Silverman?”

How is the concept of doing an open mic at The Creek or whatever scarier to someone than the idea of trying out your material on one of the managers of one of the most respected comedy clubs in the country?

May 11, 20111 note
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May 11, 201124 notes
Stream 'The Book Of Mormon' Cast Recording in Its Entirety | NPR → npr.org

popculturebrain:

!!!

(Spoilers obviously)

So funny. Can’t wait to see this when I get the money together.

May 9, 201192 notes
well, this is awkward → thecomicscomic.com

thecomicscomic:

molls:

As a fan of Choire’s and a personal friend and fan of James, I’m just going to leave this here and walk away slowly.

Molly, if it makes you feel any better, Choire and I already have had a friendly exchange of emails this afternoon. Although he has refused my challenge to a duel via Words With Friends.

I was going to write a post about that piece earlier on my Tumblr but I got lazy, but that piece really bothered me too. I’m tired of writers who don’t know very much about comedy weighing in on it in blogs and newspapers, making no effort to research or learn a little more about it. The Awl is a very good blog that delves very deeply into numerous topics that it’s writers choose to write about and it is surprising Choire didn’t bother going a little deeper here.. The problem is, most people think they are experts at comedy because they know a handful of stand-ups and watch sitcoms, but in reality, there is a whole world of live comedy they know very little about.

I’m not saying all writing about comedy should be left to the ultra-nerds, but there needs to be some acknowledgment that comedy exists outside of TV and film, right?

May 5, 201139 notes
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May 4, 20114 notes

April 2011

7 posts

I Couldn't Figure Out How to Reply to My Last Post's Ansers But...

This is mainly to The Comedy Bureau, but my email address is Gonzalo.R.Cordova@gmail.com. Everyone else, please feel free to email me your mic suggestions in LA!

Apr 27, 2011
Best Open Mics in LA?

I’m in LA for a few days. Anyone have suggestions for open mics that won’t make me want to kill myself?

[UPDATE: My email is Gonzalo.R.Cordova@gmail.com]

Apr 26, 20112 notes
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Apr 24, 201162 notes
Adam Conover's Personal Brand: "Like music." → blog.adamconover.net

adamconover:

Bill Carter, writing in The War for Late Night about the years during which Johnny Carson secretly wrote jokes for Letterman:

The separation from the show that had been his life and utter preoccupation for thirty years had proved jarring for Carson. Friends reported that it had taken at least six months after he stepped down before Johnny could have a normal day — one in which he didn’t feel the withdrawal pangs. Even after he settled in to his postshow life, however, Carson could not turn off the trenchant comic instincts honed over a lifetime. He would read the paper in the morning, watch the news, hear about some zany event taking place somewhere, and the joke would simply come to him, like music. And what good is a perfectly crafted joke if you can’t tell it to someone?

… Johnny didn’t flood Dave with jokes, sending in only a few here and there whenever he felt they were worth. Letterman could not help but be moved, but promised he would judge the material as he would that from any other writer. … This was Johnny Carson, silenced by retirement, still using his comic voice, with Dave as the mouthpiece. Dave didn’t want to reveal the secret, and Johnny certainly didn’t want to offend NBC by having it publicly known that he was writing for the guy competing with The Tonight Show. So only a few insiders knew the source of the jokes, and which ones were Johnny’s when they got on the air.

Johnny himself took to watching the show every night wondering if Dave would use one of his submissions. (And if he, did, yes, Johnny would be paid his seventy-five dollars.) Whenever Dave did, Johnny’s joy was infectious, and he would call Lassally and excitedly tell him, “Oh my gosh, I got a joke on the air last night. Dave told one of my jokes.”

Lassally could hear the pride in Carson’s voice. “He was like a kid in a candy store,” Lassally recalled.

I found this really moving. What’s so compelling about the sagas of late night television is that, despite being at the absolute height of their profession, these are men who show time and time again that they care more about their craft and their fellow performers than they do about the immense amounts of money at stake. And yes, that applies to Jay Leno too, despite all his myopia — when so much of media is corporate, pre-determined and bereft of surprise, late night hosts still remain human.

A week after Johnny’s death, Letterman opened a tribute show by doing a monologue composed entirely of jokes Carson wrote for him, followed by a lengthy and touching interview with Peter Lassally, Carson’s longtime producer. The entire episode is on YouTube, and well worth watching.

I don’t have anything to add to this, I just find it really cool.

Apr 23, 201114 notes
“Worst mic in the city. Hands down. I’ve done hundreds of mics and loads of shows. This mic has all the charm of infantile leukemia.” —

Anonymous comment for The Woodshed mic entry at Bad Slava. (I run that mic with Subhah Agarwal).

I like the idea that The Woodshed is the worst mic in New York, especially when I consider how many mics I’ve been to that are just three dudes taking turns to talk about their cum.

Apr 21, 20112 notes
“Comedians always say to me, ‘I don’t know where to go. Do I go to New York or do I go to L.A.?’ I say, ‘Look, if you want to continue training, go to New York. If you think you’re ready to get in the ring, go to L.A.’ You can’t hide in L.A. The business is everywhere. Whatever you do onstage is going to be seen by somebody, and it’s going to be talked about to somebody.” —

Marc Maron via New York Magazine (via thecomedybureau)

New York really is full of nooks and crannies to be a terrible comic in, which is kind of what makes it wonderful.

Apr 21, 201138 notes
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Apr 20, 2011

March 2011

11 posts

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Mar 30, 2011
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Mar 28, 2011455 notes
Stand-Up Comedy Blah Blah Blah → megsokay.tumblr.com

megsokay:

…I think the thing that’s personally getting me down (and I feel hesitant to discuss this, but here goes…) is I feel very acutely like many people were more supportive when I first started. Like, they expected me to move up the ladder faster for some reason, and because I haven’t, they have no time for me. I’m really interested in having a long career in comedy. I want to pay my dues and use my first few years to experiment. What’s weird is that people give me shit for trying a different approach or for writing a weirder punchline. Like, I’ve literally been mocked on stage by other comics more than once in the past week (singular week) for trying new stuff.  And then, when I do have a good set (and I know it’s good because people who don’t know me are laughing and tell me later it was good), it’s like those same people still have shit to say about me. To my face. So I feel very much as though there’s a whole block of people who have decided what I can and can’t do on stage, and that’s very demoralizing. And I feel like many of them have decided that I shouldn’t do comedy. (I would love to go into how I feel that girls aren’t allowed the same timeline to prove themselves as boys, but that’s a whole other can of worms not worth getting into here.)

Still, I’m trying to summon strength from all of this. Because I think that by going through all of this so early (I’m only 9 months into stand up, for Christ’s sake), it’s going to set the tone for the rest of my career. I’m learning that I have to do stuff that I believe in.

Here’s my two cents, which I hope make sense:

No one expected you to move up the ladder faster. I don’t mean you personally. I mean any newcomer in general. No one really puts that much thought into them because they’re all focused on their own successes and failures.

Stand-up in New York is very ruthless and everyone that developed and evolved here, that went from not getting laughs on stage to getting laughs on stage, has had the same stories of being made fun of from the stage and to their face. I don’t think it’s accurate to say girls aren’t allowed the same time line as guys. Guys get it much, much, much worse. Look at the guys who get picked on. It’s relentless.

I believe everyone deserves the opportunity to develop naturally. But people’s advice can sometimes steer someone in the right direction. The problem with a lot of stand-ups is they give advice in the most blunt and insulting way possible. As a result, many people dismiss the advice.

Most people around you, even the people who seem successful, are working at getting better. One of the nice things about stand-up is if someone bombs for five years and suddenly starts killing at every mic, the five years of bombing doesn’t matter. It’s erased. It’s a real meritocracy. All you have to worry about is getting consistent laughs and not letting people’s comments hurt you on a personal level. After all, no one’s worth as a human being is measured on their material.

Mar 28, 20118 notes
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Mar 25, 2011
Mar 12, 20112 notes
NY Times Victim-Blames an 11 Year Old Gang Rape Survivor → news.yahoo.com

gabydunn:

“Neighbors’ comments about the girl, which we reported in the story, seemed to reflect concern about what they saw as a lack of supervision that may have left her at risk,” said Danielle Rhoades Ha, a spokeswoman for the paper.

Nope, New York Times. Still wrong. Her clothing didn’t leave her at risk. Her choice to hang out with older kids didn’t leave her at risk. Why are we just accepting, in print, in one of the world’s most highly-regarded papers, that rape is going to happen to a child???? 

THE ONLY PEOPLE AT FAULT HERE ARE THE MEN WHO CHOSE TO RAPE AN 11 YEAR OLD GIRL. 

The factors as to why she was raped are singular as such: Men decided to rape her.

And maybe articles like this that continue to ask what the victim did wrong. THE ANSWER IS NOTHING. THE ANSWER IS ALWAYS NOTHING.

The point that should be addressed is, why do we live in a culture where a group of men can decide to rape an 11 year old? A sick thought that shouldn’t even be crossing their minds, let alone acted upon?

That’s the real tragic mystery. Not what a child did to invite her own rape.

I read the article and the focus of it is really weird…

“It’s just destroyed our community,” said Sheila Harrison, 48, a hospital worker who says she knows several of the defendants. “These boys have to live with this the rest of their lives.”

At the same time though, I do think the parents of the girl should have been more responsible for the girl’s safety. It sounds like they were allowing her to spend way too much unsupervised time with older kids involved in various crimes.

Five suspects are students at Cleveland High School, including two members of the basketball team. Another is the 21-year-old son of a school board member. A few of the others have criminal records, from selling drugs to robbery and, in one case, manslaughter. The suspects range in age from middle schoolers to a 27-year-old.

I think the inclusion of this is weird…

They said she dressed older than her age, wearing makeup and fashions more appropriate to a woman in her 20s. She would hang out with teenage boys at a playground, some said.

But this is not…

“Where was her mother? What was her mother thinking?” said Ms. Harrison, one of a handful of neighbors who would speak on the record. “How can you have an 11-year-old child missing down in the Quarters?”

Obviously, the people completely at fault are the rapists, but it also does geniunely seem like the parents are bad at being parents and I don’t think it’s unfair to call attention to that fact.

I am on the fence if this article is putting blame on the girl or simply calling out that good parenting could have prevented the tragedy from taking place. Parts of the article’s tone did strike me as innappropriate.

Mar 10, 201125 notes
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Mar 8, 20112 notes
Mike DeStefano dies | Punchline Magazine → punchlinemagazine.com

ifc:

-saturdaynightlive:

somuchfunithurts:

For a guy who overcame so much to finally get to where he was, this is horribly sad news. His WTF interview from a little while back was amazing.

Incredibly sad news. Download his interview on WTF with Marc Maron here. As said, DeStefano overcame many challenges in his life including drug addiction and a diagnosis of HIV/AIDS, before achieving success last year as a finalist on Last Comic Standing. He was set to debut his one-man show A Cherry Tree in The Bronx in Barrow Street Theatre on Wednesday.

May he rest in peace.

I fortunately got to see him workshop his show last month - it was beyond fantastic. You’ll be missed, Mike.

Like I’ve been saying to friends this morning, I’m sure this isn’t the saddest thing about his shocking death, but Mike was blowing up. He had a great year and accomplished what so many comics dream of when they first start. I’m sure he had bigger goals on the horizon and it’s so sad to think of all the squandered potential.

Like I said though, that’s not the saddest thing about this. The saddest thing about this is the loss his friends and family feel. I’m sure first and foremost they miss him as a human being.

Mar 7, 201134 notes
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